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"My first figurines are made out of frustration". If I grab the painting hang back to my old passion called clay. I take the clay in my hands and watch the clay. The clay looks back but still very undifferentiated. I spend my frustration, anger and love in the clay, the clay, review and edit the bevraag intensively and clay. And clearer forms arise. Those forms look back at me. And from now gives every action has a reaction followed by a suitable new action there. Emotion in response to emotion.

Increasingly the image looks back, it's now a real dialogue of look, become, until the af is questions and answers. Now the image looks to me independently. Working and questioning brings us ultimately always go back to the question: "who am I and who are you?" This process of looking back, questions and answers and can now be viewed in the new environment. The performance makes the duality felt that every man in his own head is completely free, but essentially always only will be.

Spectators get the time to really look at number of faces, in a "view construction" which is designed, that the focus of the spectators is sent up. It gives the possibility to see the other as he is. It really watching another can also be experienced as confrontational. You must relate to that other anyway. How he looks at you, and you to him, confronts you with your prejudices and makes you extra strong aware of yourself. You can still assist questions like "how I look at yours?", "who are you?", but also, and above all the question: "who am I?".

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